The Hunt – The Rajiv Gandhi Assassination Case Review: A Gripping Slow-Burn That Hits Close To Home Web-Series 2025The Hunt – The Rajiv Gandhi Assassination Case Review: A Gripping Slow-Burn Retelling Of A National Trauma

The Hunt – The Rajiv Gandhi Assassination Case is one of those stories.

The Hunt – The Rajiv Gandhi Assassination Case, now streaming on SonyLIV, takes us right into that aftermath. This isn’t a loud, over-the-top political drama. It’s a slow, thoughtful unraveling of one of the most sensitive investigations in India’s history.

Led by Amit Sial and guided by director Nagesh Kukunoor’s steady hand, the show doesn’t just tell a story – it makes you feel the weight of it.

Some stories don’t just entertain – they shake you. The Hunt – The Rajiv Gandhi Assassination Case is one of those.

The series doesn’t waste a single second. It throws you straight into the moment – the blast, the panic, the stunned silence that followed Rajiv Gandhi’s assassination. No background music, no buildup – just the raw chaos of a country that suddenly feels unsteady.

People are glued to their TVs. News anchors speak with measured voices. In homes across India, there’s only one question: How could this happen?

And while the country is reeling, one man is asked to take charge of the impossible – to find out who did this, why they did it, and how to stop them from doing it again. That man is D.R. Karthikeyan.

Amit Sial plays him beautifully – not like some movie hero walking in to save the day, but as a real human being. Calm, clear-headed, quietly burdened. Karthikeyan isn’t flashy. He’s focused. He listens more than he speaks. You feel his responsibility. You feel his restraint. You trust him.

That’s the thing about The Hunt – The Rajiv Gandhi Assassination Case – it respects the truth. It doesn’t change names to play it safe. It doesn’t twist facts to make it more thrilling. It’s based on 90 Days, a book by Anirudhya Mitra, a journalist who lived through this investigation.

So everything you see – every clue, every conversation, every delay and dead-end – really happened. It’s history – told with honesty, care, and just the right amount of restraint.

Instead, it takes you straight into a real-life manhunt – one that balances politics, bureaucracy, emotions, and duty in equal measure.

There’s a stillness in The Hunt that speaks louder than action-packed thrillers ever could. Director Nagesh Kukunoor chooses to focus on what often gets missed – the emotional and psychological pressure behind big headlines.

There’s something deeply gripping about how The Hunt – The Rajiv Gandhi Assassination Case chooses to tell its story. It doesn’t shout. It doesn’t rush. It just sits with the weight of what happened, and asks you to do the same.

Most political thrillers rely on dramatic showdowns and intense monologues to create impact. But here, the power lies in its stillness. The show moves slowly, yes – but never aimlessly. Every pause, every silence, every carefully spoken line has purpose. You don’t feel like you’re being entertained. You feel like you’re being trusted to think, to feel, to connect the dots. It’s not loud. But it’s not dull either.

The beauty of The Hunt – The Rajiv Gandhi Assassination Case is that it never tries to oversimplify a very complicated truth. It doesn’t try to neatly wrap things up or give us a hero’s victory. Instead, it lingers in the discomfort, in the uncertainty, in the questions that still don’t have easy answers.

There’s a kind of quiet respect in the way the show is told. It doesn’t hold your hand. It doesn’t scream for attention. It just lays the story out – as it was – and lets you feel the weight of it. The ethical dilemmas, the blurred lines between politics and justice, the fatigue of public servants, the grief of a nation – all of it is there, unpolished and honest.

And maybe that’s why it stays with you. It doesn’t haunt you with gore or spectacle. It haunts you with its truth. With the realisation that the people behind these headlines were human, flawed, burdened, trying to do their jobs in a system that didn’t always support them.

By the end, you’re not just watching a case being solved. You’re sitting with the weight of history – and seeing it not as a headline, but as something that shaped the country we live in today.

At the heart of the show is Amit Sial, and honestly, he’s phenomenal. As D.R. Karthikeyan, he’s not a flamboyant hero – he’s the kind of silent warrior we rarely see on screen. Thoughtful, focused, composed under pressure – Sial plays him with restraint and depth, making you believe every second of his screen time.

Danish Iqbal as Amod Kanth brings a different kind of gravitas. Shafeeq Mustafa doesn’t just act – he disappears into the role of Sivarasan, the most wanted man in India at that moment in history.

And it’s not just him. The supporting cast brings their A-game too. Sahil Vaid, Bagavathi Perumal, Girish Sharma, Vidyut Garg, and Anjana Balaji – they don’t try to steal scenes or make it about themselves. Instead, they blend into the world of the story, grounding it further. Each of them adds something real, something human, to this complex web of characters. There’s not a single weak link – just solid, believable performances that make the story feel all the more alive.

Even actors in brief roles, like Vishwajeet Pradhan as then-PM Chandra Shekhar, leave an impression.

And then there are the women – Snehal Shrivastava and Shrutie Jayan – playing two characters on opposite ends of the ideological spectrum. One represents compassion and duty, the other, rage and radicalisation. Their performances are short but powerful, showing how even minor roles can shape the narrative.

The Hunt – The Rajiv Gandhi Assassination Case may not be for everyone. It’s not fast-paced, it’s not packed with action, and it doesn’t scream for attention. But it does something far more important – it makes you think. It makes you question. And it makes you remember.

This is not just a show for history buffs or political junkies. It’s for anyone who wants to understand what happens after the headlines fade – the people working behind the scenes, the emotional weight of justice, and the quiet war fought in conference rooms and investigation files.

Yes, it could have been tighter in parts. Yes, it’s heavy. But it’s also necessary. In a world of flashy thrillers, The Hunt – The Rajiv Gandhi Assassination Case stands out for its honesty and restraint. it not just to be entertained, but to be informed. To remember. And to reflect.

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